Cowgirl Candace is a fourth-generation Georgia farmer, award-winning agriculture and outdoor adventure writer, and cultural storyteller redefining how rural America is seen, heard, and understood worldwide. Raised on her family’s centennial homestead, Edward Hill Farm, Candace brings lived experience, historical grounding, and creative rigor to every story she tells, bridging agriculture, outdoor life, and Black cowboy culture with authenticity and care.

A longtime member of the Outdoor Writers Association of America, Cowgirl Candace’s work spans brand partnerships, editorial features, and multimedia storytelling rooted in the American South. During 2025, her personal essay celebrating farm heritage and cowhand culture featured in Beyoncé’s Cowboy Carter Tour Book, traveling the world as part of one of the most influential cultural moments of the year. Profiling modern land stewards, collaborating with legacy outdoor brands, or helping to mentor women writers through OWAA’s group calls, Cowgirl Candace is committed to elevating stories that honor farming history, the people who work it, and the futures they’re building.

Before we step into the mechanics of craft, platforms and professional milestones, it helps to return to the place where Candace’s storytelling begins. Not at a byline or a brand brief, but in red Georgia soil. In family footsteps worn into the land. In the quiet education that comes from watching generations work the same fields in different ways. Her global reach is built on local memory.

The questions below move past résumé and recognition to the lived experiences, values and moments that shaped how she sees the world, and how she teaches it to see her back.

Tell us about your personal journey. How did your multigenerational farming background and connection to Black cowboy culture shape your identity as a storyteller and outdoor communicator?

Edward Hill Farm raised me. It’s the homeland my farming family still owns, stewards, and protects today. I grew up watching four generations move across our farmland in different but equally powerful ways. My Great-Grandma GG baked from scratch, ran a tight household, and was often found clotheslining in the backyard. My Grandpa Amos, a former USDA professional, shared his regenerative agriculture knowledge with me long before those practices became buzzwords. And my parents (true rodeo lovers) spent evenings in our home arena working calf roping and barrel racing drills.

My childhood wasn’t siloed. It was multitasking, a lot of movement, outdoor adventure, and joy, which was lived through multiple interpretations of homesteading and cowhand culture. That upbringing shaped how I tell stories today. I don’t romanticize the land. My editorial work honors it. I understand agriculture, outdoor life, and Black cowboy culture as lived systems, not mere aesthetics. My grounding is what allows me to communicate these stories with honesty and authority.

Your story was featured in Beyoncé’s Cowboy Carter Tour Book, a project that traveled the globe with one of the biggest cultural phenomena of 2025. Walk us through how that opportunity came together … from idea to execution … and what it meant to you personally and professionally.

GG always said: “You never know who’s watching.” That wisdom has guided my entire career. As a 20-year marketing and communications professional, intention sits at the core of my storytelling. My website, cowgirlcandace.com, is a digital front porch and space that invites conversation and collaboration while reflecting my real cowgirl and agricultural background. 

Well, I check my business email routinely. During March 2025, I saw a message from the executive editor of Saint Heron Press, the creative agency founded by Solange Knowles (Beyoncé’s sister). The agency discovered my work and fourth-generation farming story. The Saint Heron team asked me to write a paid feature within a 72-hour turnaround centered on my American South lifestyle and themed “BEEN COUNTRY.” I was like: “Let’s Deep South do this.” We negotiated, contracted, and I delivered both the story and photography on deadline. 

What I didn’t know was that the “luxury art publication” mentioned during our email exchanges would ultimately become the official Cowboy Carter Tour Book. My story traveled globally as part of a historic tour that grossed more than $400 million across 30-plus shows. I first found out through Instagram DMs — friends, family, and strangers messaging me screenshots from around the world. Saint Heron followed up with the good news as well. I felt fuzzy wuzzy in the best way. To know my farm family’s legacy was being celebrated on a global stage was deeply affirming. Professionally, it validated my belief that authentic, place-based storytelling can move through the world without losing its soul.

How do you approach telling stories about agriculture, outdoor life, and cultural heritage in ways that resonate both within niche communities and on global platforms? What techniques or philosophies guide your work? Give me one solid example of a specific piece you crafted and walk us through your process. 

I go into every story from a human stance first. I’m not chasing trends at all. I’m translating universal experiences. Agriculture and outdoor life are about love, family, responsibility, resilience, and care. Those themes resonate everywhere. My narratives are “Sunday best” (how we stylishly show up for church) service to the world — researched, fact-checked, reported, interviewed, and written with purpose. 

One example is my long-standing collaboration with Justin Boots. Together, we document Deep South farming and cowhand culture. During the height of the Cowboy Carter tour, I profiled Georgia farmer Kaneisha Miller. This farmers market mom is raising preschool twins while sustaining multigenerational land. I spent time on her farm; observed how she blended community, motherhood, and modern agribusiness; and translated that lived experience into a story that felt intimate, relatable, and scalable. The result? A Justin Boots × Cowgirl Candace feature that sparked meaningful engagement and showed what legacy land ownership can look like in today’s digital economy.

Representation matters, especially in traditionally underrepresented spaces like country culture and outdoor media. How has your work helped broaden audiences’ understanding of Black cowboy culture and the diversity of rural America? What challenges and opportunities have you encountered? Give us an example of at least one challenge and one opportunity. 

I have the privilege of reintroducing — and sometimes correcting — the narrative around Black cowboy and agricultural contributions. We’ve always been here. What’s changed is visibility. One challenge is navigating stereotypes that still linger in editorial and brand spaces. There’s often an assumption that these stories are “niche,” when in reality they’re foundational. The opportunity, however, is immense. Digital platforms have allowed my work to reach global audiences and opened doors to brand partnerships that respect cultural truth. The sincere stories I publish expands the frame, showing multicultural rural lifestyles as innovative, joyful, skilled, and deeply rooted.

Visual imagery plays a significant role in outdoor and cultural storytelling. How do you collaborate with photographers, designers, and creative partners to craft images that elevate your narrative? Can you share a moment when visual storytelling changed how people engaged with your work? And what’s one photo you particularly love and why?

I study visual storytellers across social platforms, especially those rooted in authenticity and edge. Many of my strongest and coolest collaborations come from creatives in America’s Black Belt Region because these stories are their grandparents and neighbors, too. One pivotal moment for me was modeling for Wrangler alongside my farming friend Sedrick Rowe of Rowe Organics in Albany, Georgia, as part of an Earth Month 2021 campaign project. Seeing us represented — natural hair, denim, land-stewarding, fully ourselves — shifted how audiences engaged with my work. That imagery by Ivan McClellan (creative colleague, professional photographer, and now rodeo boss of the 8 Seconds Rodeo) told a bigger story: modern Black farmers as healthy, hip, and heritage-driven. It invited new audiences into a creative South they hadn’t fully seen before.

In your experience, what are two key elements of building trust and credibility (especially across cultures, communities, and industries) that might initially seem worlds apart)?

First: Show up prepared and consistent. Trust is built when people see you do what you say you’ll do. Repeatedly. Second: Honor the source before the spotlight. When communities know you’re protecting their story — not extracting it — credibility follows naturally.

For OWAA members and outdoor professionals who want to push beyond traditional markets and pursue unconventional or high-profile opportunities, what two pieces of advice would you offer? Are there mindsets, skills, or practices you believe are essential for success?

One: Build your digital front porch. Your online home should speak for you when you’re not in the room. Two: Practice saying yes before you feel “ready.” Skill grows through execution, not perfection. My mentor and marketing guru Lisa Bourne reminds me: “Progress over perfection.”

Looking ahead, what kinds of stories are you most passionate about telling next, and how do you see your work contributing to evolving the narrative of agriculture and outdoor life on both national and global stages?

I’m deeply invested in documenting modern land stewards: farmers, foresters, and outdoor professionals who blend heritage with innovation. I want to continue evolving the narrative of agriculture and outside adventures as dynamic, culturally rich, and globally relevant.

Follow Candace Cowgirl’s work

Instagram: @thecowgirlcandace

cowgirlcandace.com

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The post Cowgirl Candace, fourth-generation farmer: Turning heritage into high-impact storytelling appeared first on Outdoor Writers Association of America.

OWAA staff spent the year hiking, paddling, camping and wandering across the map with all kinds of gear in tow. These are some pieces we reached for again and again. These are the things that made our outdoor adventures easier, cozier or just plain more fun.

OWAA Member Books

You know that feeling when you can’t be outside but you want your mind to be? That’s what OWAA member books do best. With more than 130 titles from field guides to conservation stories to adventure nonfiction, these books are written by the very people living the outdoor beat every single day. Our staff has many of them.

Who these books are for:
The reader, the dreamer, the road-trip passenger or anyone who wants their nights to feel a little more like campfire season.

Pro Tip:
These books make a great gift. Buy a book bundle and pair it with a handwritten note about why you chose each title. It’s personal, thoughtful and affordable.

Here are the top five OWAA member books on my bookshelf:

So Said the River by Colleen Miniuk

Montana Photography Book by Andy Austin (This one makes a beautiful coffee table gift.)

My Place Among Fish: by Kris Millgate

Knowing the Trees by Ken Keffer

Where Should We Camp Next? by Stephanie & Jeremy Puglisi (Available on our OWAA book shop.)

Bajío Hopedale Sunglasses

Named after the iconic Louisiana fishing community, the Bajío Hopedale sunglasses use bio-based nylon frames and crisp polarized, blue-light-blocking lenses that cut glare so cleanly you’ll swear someone turned up the definition on real life.

These are great for fishing since they block 100% of UV rays. And they somehow work on almost every head shape without that “tight-squeeze headache.” Hidden Sun Ledge technology blocks sneaky top-down rays too and the recessed nose pads keep them from slipping. And yes, the built in nose pads actually work. 

Who this is for: Anglers, paddlers and anyone who wants daily-driver sunglasses that perform like premium fishing optics without looking like “fishing” glasses.

Pro tip: Choose mirrored lenses if you fish bright water. The glare reduction is nice.

Rab Women’s Khroma Latok GORE-TEX Pro Bib and Rab Khroma Pro Jacket

I call this my outdoor heirloom-quality winter kit. This shell system is great if you spend a lot of time outdoors in the snow, sleet and rain. It’s an investment set that can easily last you for the next ten years. From snowshoeing, nordic skiing and downhill skiing, they are also great for sledding with kids. 

The word pro often gets overused in the outdoor world, but in this case it actually means something. These bibs are engineered to perform in harsh, unpredictable conditions. They’re waterproof and breathable. And they’re super light with an ePE membrane. 

An ePE membrane is a newer, lighter more eco-friendly waterproof layer in GORE-TEX that blocks wind and rain while letting sweat escape. It’s kind of like upgrading from a thick old raincoat to a high-tech shell that protects you bette but feels way less heavy and stuffy.

These bibs also have reinforced hems and adjustable internal gaiters, but my favorite thing about these is the high bib design to prevent any snow from getting in. 

They’re also safe for skiing with an integrated RECCO® Reflector, so it helps search-and-rescue teams locate you quickly and requires no batteries or upkeep. 

The Khroma Pro Jacket pairs perfectly with the bibs and has the same GORE-TEX PRO construction, same mobility, same bomber reliability. The hood is also helmet-compatible and seals out wind. 

I’m no fashion pro, but I feel like the melba orange bibs with the blue jacket is the best-looking color pairing the Rab team has ever released. I had multiple people stop me on the trail out in Lolo Pass to ask what I was wearing.

The craftsmanship and fit make it feel custom-tailored. The durability means you could hand this down someday. And the performance is so dialed that you start planning outings because you want to wear it.

Who this is for: All types of skiers, snowshoers and winter hikers. It’s also great for guides, patrollers and winter professionals.

Pro tip: Open both your thigh vents (bibs) and pit zips (jacket) before starting a climb. This system moves heat so efficiently that pre-venting makes long, sweaty ascents noticeably more comfortable.

Paka Women’s Alpaca Hoodie

Made from a supersoft Royal Alpaca blend, this women’s hoodie is breathable, temperature-regulating and polished enough to wear from trail to town. And it’s signed by the artist who wove it, which is a detail I love. It also has a slightly longer back that adds coverage, especially if you’re pairing it with leggings.

Who this is for:
Women who run cold, love natural fibers or want a single hoodie to wear from airports to alpine mornings.

Pro tip: Size up if you want roomy, relaxed fit.

Buzz Centris Folding eBike

I’d say this is the funnest gear on this list. And you don’t need a bike rack on your car or a truck to travel with it. It’s fairly heavy, though, at around 68 pounds so you may need an extra hand to lift it into your car. (It’s much easier with two people.) The trade off, though, of needing an extra hand is that you can store it easier and take it out easier. You can also go up to 20 mph, so it doubles as a “take everywhere” commuter bike and adventure bike. It rides really well on groomed trails and has thick 4 inch tires. It’s also pretty versatile for different adult height ranges since hit has a step-through frame. The suspension (60mm in front) is good to for a bike in this price point (under $700) and makes bumps from pavement and forest roads and trails comfortable.

Who this is for:
RV travelers, van lifers, urban commuters, campground goers or anyone who wants an e-bike without needing large amounts of storage space.

Pro tip: Keep a small pump and multi-tool in the storage bag as those wide tires love proper pressure.

RUX 70L Collapsible Gear Box

This gear box is unique. Think of it more as a gear “room” you can carry. You can stuff it with camping equipment, camera gear, winter layers and even folding paddles, fishing rods and helmets. It packs like a gear box, but carries like a tote or backpack. It also collapses flat when you don’t need it. It’s waterproof and the frame doesn’t warp even when fully loaded to its 50-lb limit.

Who this is for: Overlanders, van lifers, weekend warriors, road-trip families and Type-A organizers (or their opposite: the perpetually chaotic).

Pro tip: Load it with all your “grab-and-go” essentials (stove, headlamp, med kit) and keep it ready by the door.

Rocky Talkie Mountain Radio

I’ve used the Rocky Talkie Mountain Radio and Rocky Talkie’s traditional radios here in my home state of Montana. They’ve never once failed or died unexpectedly. The shatterproof screen, thermoplastic body and bomber carabiner-and-leash system make it nearly unlosable (if you attach it to your pack).

The battery lasts about 4 days for me on a charge, even in the cold. And it’s easy to use since it only has five buttons. It typically works 35+ miles in ideal conditions in flat lands but if you’re traveling in the mountain the range is about 1-5 miles in mountain terrain. I tested this while driving from my home out to the forest and it cut out about the 2.5 mile marker. This set is good for hiking and keeping in touch with your crew if you get split up, especially where cell service is low or non-existent.

Who this is for: Ski partners, climbing teams, hunters, guides or families and friends who like being able to find each other while hiking.

Pro tip: Pair it with the waterproof hand mic if you often wear gloves or ski with a pack.

Merrell MTL Adapt Matryx Trail Running Shoes

These are a surprise favorite (comfy) trail running shoe. They have Merrell’s FloatPro+ midsole and the Vibram® MegaGrip outsole, you get a cushioned, shoe that’s also responsive. The padded collar also hugs your ankle without rubbing (if you know you know). These are nice in rocky and technical terrain.

Who this is for: Trail runners and hikers who like a nimble shoe with grip.

Pro Tip: They shine on rugged terrain so save them in your running rotation for your hardest trails. 

Zenbivy Light Bed (Light Sleeping Bag System)

If traditional mummy bags make you feel like a burrito wrapped too tight, Zenbivy may be for you. This Zenbivy Light Bed works with alpine overnighters and road-trip car camping. It’s also great for side sleepers (like me). And the quilt-and-sheet system gives you the warmth of a premium bag with the comfort of an actual bed. I’ve used Zenbivy sleep systems for the past eight years.

This light bed is warm, ultralight, compressible and non-claustrophobic. You can sprawl like a starfish and be comfy. Zenbivy also has a good origin story. 

Who this is for: Campers and backcountry hikers who toss and turn, side sleepers or anyone who wants comfort without carrying a heavy sleep system.

Pro tip: Pair it with the Zenbivy mattress for full “sleeping at home” energy.

Glerups Wool Slippers (Leather Sole)

These are the unofficial footwear of my remote OWAA home “office”. Made from natural wool that warms and wicks moisture, Glerups are nice to slip into after ski days, trail runs, long drives or cold mornings shuffling around camp. They mold to your feet over time (and are best without socks), and they don’t get too hot.  The leather sole is quiet, durable and perfect for cabin life or van life. They’re sort of addictive. They also have this slipper with a rubber sole for more indoor/outdoor use.

Glerups also has a unique origin story. Nanny Glerup and her husband, Ove, embraced the idea of living self-sufficiently on their rural Danish farm in the 1970s. As their flock of Gotland sheep expanded (a hardy, curly-fleeced breed known for its soft yet durable wool) so did their supply of wool. That eventually led to their slipper production. 

Who this is for: Anyone who loves comfort, and especially outdoor folks who appreciate natural fibers and staying warm without sweating.

Pro tip: Size down if you’re between sizes. Wool loosens slightly as it forms to your foot.

Teton Mesa Canvas Tent

The Mesa Canvas Tent is one of those tents you buy once and use for the next ten years or so. It’s great for base camps. Think staying multiple days or weeks. It also doubles as a storm-proof canvas shelter as it feels like a tiny cabin in bad weather. Inside, it’s roomy enough for cots, kids, dogs, extra gear and chairs. A 6ft person can stand comfortably inside and the large doors and ventilation make it work for every season.

Check out the Teton Sports founder’s story here. 

Who this is for: Basecamp lovers, hunters, overlanders, family campers and anyone who wants a “home away from home” tent.

Pro tip: Invest in a good ground tarp. It’ll extend the tent’s life dramatically.

Fresh Roasted Coffee – Guatemala Huehuetenango FTO

If you like a good French press style coffee, this coffee comes out smooth. It’s rich without the bitterness common in camp brews. The Huehuetenango origin (my personal favorite) has a chocolatey sweetness with just enough fruit to be interesting. It’s also organic, fair-trade and roasted fresh. This coffee works for any coffee loving outdoor person.

Who this is for: Camp coffee snobs, road-trippers, early-morning anglers and anyone whose day starts with a cup of Joe outside.

Pro Tip: Grind it coarsely right before you leave. The flavor payoff is huge.

Women’s Astral High Noon Hemp Hoodie

You may know Astral for their water gear, but their apparel may surprise you. I adore this hemp-blend hoodie because it breathes well yet still takes the chill off. And the fabric gets softer every wash without losing durability.

Who this is for: People who want a sustainable, breathable midlayer for active days outside.

Pro tip: Hemp resists odor naturally so it’s great for multi-day trips without needing to wash it. 

BRANWYN Merino Wool Baselayer Leggings

These leggings move with you. The merino-blend POWRspun fabric gives you compression, warmth, breathability and a sculpted fit that stays put during hiking, running, yoga and everyday wear. They’re odor-resistant, soft, and designed for performance without plastic-feeling synthetics. Beware that they do stretch. and the brand is transparent about “slight sheerness” in deep bends, but for most outdoor activities, they’re flawless.

Who this is for: Women who want high-performance, natural-fiber base layers for cool-weather adventure.

Pro tip: Size up if between sizes as they are very fitted.

Gregory Alpaca Wheeled Duffel 40L

This bag is great to haul around the airport without having a full-sized roller. And it’s small enough to carry on a plane. The outside material is tough. It reminds me of Patagonia’s black hole line. The wheels are smooth and it’s waterproof so you can protect your gear without bulk. There are also inside straps to keep clothes separate from muddy or wet equipment. The grab handles make it easy to yank from truck beds, boat docks or airport carousels.

Who this is for: Travelers, photographers, guides and weekend warriors who want an easy to roll bag for rough conditions.

Pro tip: Pack heavy items near the wheel end for the smoothest rolling.

Aged & Ore Bottle Flight (Silicone-Wrapped Travel Bottles)

A hit with Chez Chesak, OWAA’s executive director, this travel-friendly set has four silicone-wrapped glass bottles, each with measurement markers, labeling windows and a protective EVA case. It fits easily into your daypack or carry-on. And it’s TSA-compliant, classy and perfect for sharing spirits around the campfire without lugging full bottles.

Who this is for: Camp mixologists, whiskey enthusiasts or anyone who wants to bring “a taste of home” on adventures.

Pro tip: Keep at least one bottle filled with water or juice so non-drinkers (or early risers) have something fun to sip around the fire, too.

Bonus recommendations: OWAA Supporting Group Gear

OWAA has a number of organizations that support our non-profit. Below are the supporting organizations that also have outdoor gear.

Henry Repeating Arms

• Henry Lever Action .22 (“H001”) – classic entry rifle, among their most widely sold.
• Golden Boy .22 – iconic octagon-barrel lever gun that often appears on top-seller lists.
• Big Boy Series (.357/.44/.45 Colt) – centerfire lever rifles popular for hunting and cowboy-action shooting.

Lowa Boots

LOWA’s top sellers. (The Renegade boots are my favorite. I’m on my second pair over 6 years.)

• Renegade GTX Mid – their signature best-selling hiking boot. (Staff overall pick.)
• Renegade GTX Lo – low-cut version for lighter hiking/travel.
• Zephyr GTX Mid TF – very popular for tactical / mixed use.

MyTopo– Custom maps 

They sell downloadable & printed custom maps.

• Custom USGS Topographic Maps (centered on your hunt/fish/hike area).
• Satellite & Aerial Photo Maps for e-scouting and land navigation.
• Public/Private Land Ownership & Hunting Maps (property boundaries, unit overlays).

Seaguar 

Fishing line & leaders

Seaguar literally invented fluorocarbon line; their “freshwater lines and leaders” collection highlights these staples.

• Blue Label Fluorocarbon Leaders – go-to premium leader material.
• InvizX Fluorocarbon Mainline – widely recommended all-around fluoro.
• Tatsu Fluorocarbon – high-end, super-supple flagship line.

Star brite 

Marine/RV cleaners & protectants

Top sellers: 

• Premium Marine Polish with PTEF – heavily recommended hull polish.
• Mildew Stain Remover – top-rated cleaner on multiple retail sites.
• Instant Hull Cleaner / Hull Cleaner Gel – core boat-care products.

Mountaineers Books 

Outdoor books, guidebooks, skills manuals

• Mountaineering: The Freedom of the Hills – classic bible of climbing.
• Regional “Day Hiking” series (e.g., Day Hiking Mount Rainier).
• Avalanche & snow safety / ski touring titles (e.g., Staying Alive in Avalanche Terrain).

ENO (Eagles Nest Outfitters) 

Hammocks & camp accessories

ENO’s own “best sellers” highlight these products.

• DoubleNest Hammock – their flagship two-person hammock.
• Atlas Suspension Straps – best-selling strap system.
• Guardian Bug Net – very common add-on for backpackers.

Power-Pole 

Shallow-water anchors (boat fishing gear)

• Blade Series Hydraulic Anchors – premium shallow-water anchors.
• Sportsman II Anchors – more budget-friendly hydraulic line.Power-Pole
• ONE Pump System – new pump that powers dual anchors from one unit.Power-Pole

Teren

Mens travel / outdoor apparel

• Lightweight Traveler Pants – repeatedly highlighted in “best travel pant” gear guides.
• Daily Driver Pants – everyday/adventure pant near top of best-selling list.
• Cloudland Shell Jacket – widely reviewed as their hero outerwear piece.

Smokies Life 

Books & gifts for Great Smoky Mountains NP

Their store and gift-guide pieces call out consistent top sellers.

Into the Mist (photo/coffee-table book on the Smokies).

• The Cades Cove Story – very popular history title.
• Smokies trail guides, maps & calendars – recurring best-selling formats.

USA Clay Target League

They run a full online store for teams & fans.

• USA Clay Target League Hats (red/white/blue patch hat, etc.).
• League Hoodies & Joggers (e.g., Desert Camo Hoodie, heather ¼-zip).
• Event Pins & Window Clings (season pins are a big recurring item).

OWAA Supporting groups selling outdoor services / experiences

ROW Adventures – guided whitewater & adventure travel

They sell guided trips directly; their own “Best of Rafting” page calls these out.

• Middle Fork of the Salmon Rafting Trips – billed as their premier wilderness trip.
• Rogue River Lodge-to-Lodge Rafting – “gateway” classic in Oregon.
• Salmon River Canyons / “Family Magic” Trips – signature family-friendly best-of.

World Nomads – adventure travel insurance

They don’t sell gear, but do sell trip-coverage products.

• Standard Plan – baseline coverage for most travelers.
• Explorer (or Epic) Plan – higher-limit, higher-risk adventure coverage.
• Annual Plan – multi-trip yearly coverage.

XGRiD Campers – off-road campers & trailers (sales + some rentals)

They’re an RV dealership for overland rigs.
Representative “top” offerings by prominence in their inventory:

• Opus OP15 / OP13 Hybrid Caravans – featured overland trailers.XGRiD Campers
• Imperial Outdoors X195 / OB-120 Trailers – highlighted new inventory.XGRiD Campers
• Australian Off Road (Sierra / Quantum) Trailers – premium off-road line.XGRiD Campers

Natural Bridge Caverns – ticketed tours & adventure park

They sell combo and individual tours directly.

• Discovery Tour – classic guided walk through the original chambers.
• Hidden Wonders Tour – newer, immersive lighted cavern tour.
• Adventure / Discovery Adventure Tours – more technical “crawl & climb” style tours.

Parks Canada – park passes, camping & permits

They directly sell passes, permits, and reservations.

• Parks Canada Discovery Pass – annual pass to 80+ sites (flagship product).
• Single-Location Annual / Seasonal Passes – park-specific passes.
• Camping & Lockage/Mooring Permits – via reservation system.

Arkansas Game and Fish Commission – licenses

They sell licenses that enable hunting/fishing (outdoor access service).

• Resident & Nonresident Fishing Licenses.
• Hunting Licenses & Tags.
• Lifetime & Senior Licenses (e.g., 65+ Resident Lifetime Fishing).

Tennessee State Parks – camping & lodging

Reservations are sold directly online.

• Campsite Reservations (tents & RV).
• Cabins & Lodge Rooms at state park resorts.
• Shelter / Pavilion Rentals for events.

Infinite Outdoors – membership & private-land access

They sell memberships and property bookings in an “Airbnb-for-hunters/anglers” model.

• Access Membership – free tier for public-land tools.
• Access+ Membership – paid membership unlocking private-land bookings.
• DIY Hunt / Fish Property Bookings via their app.

JET Hospitality – glamping, hotels & RV stays

They operate multiple “lifestyle lodging” properties at outdoor destinations.
Representative “hero” offerings:

• Pacific Dunes Resort (WA) – Beachfront hotel, RV and glamping.
• Teton Peaks Resort (ID) –Cabins/hotel with Grand Teton views.
• Cottonwood Camp (MT) – Fishing, camping and glamping on the Bighorn.

Small Craft Sales – online marketplace for small boats

They sell listings and facilitate buying/selling SUPs, drift boats, etc.
Think of their “top sellers” as categories rather than one SKU:

• Inflatable SUPs & kayaks.
• Rafts & drift boats for anglers/rafters.
• Skiffs / small motorboats & specialty craft.

USA Clay Target League – league participation (service side)

In addition to merch, they sell participation in their youth clay-target leagues.

• High School League Team Fees.
• College League Team Fees.
• Associated training/safety materials & events.

The post OWAA staff 2025 gear guide appeared first on Outdoor Writers Association of America.

If you’ve got a drift boat in the driveway, a raft rolled in the garage, or a canoe that’s gathering dust, there’s never been a better time to sell. The small craft world like rafts, skiffs, SUPs and canoes is booming, and buyers are actively hunting for well cared for boats that are water ready.

But here’s the problem: traditional marketplaces bury small boats under a sea of powerboats and yachts. That’s why a growing number of boat owners are turning to Small Craft Sales, a new platform built by boat people, for boat people.

Launched quietly in spring 2025, Small Craft Sales is already shaking up how guides, anglers, and outfitters buy and sell. For sellers, it’s an especially good moment to jump in. Through the end of 2025, listings are free, and every boat gets a paid Instagram boost (ad), plus feature placement in the brand’s 7,000 + subscriber newsletter.

Whether you’re listing your first raft or your tenth, these ten insider tips will help your boat sell faster, attract serious buyers and get you the best possible return.

Start with the story

People don’t just buy boats they buy stories. Did your drift boat see you through your first guide season? Has your canoe logged miles with your family on alpine lakes? Tell buyers about it. Share how you used it, where it’s been and what makes it special.  

Buyers in this niche community are emotionally invested. When you write your listing, open with a sentence that paints a picture, like: “This raft has floated four seasons of the Smith River and just got new floors and valves last spring.” A listing that reads like a story catches attention and builds trust.

Clean, repair and photograph like you mean it

A clean boat sells. A dirty one doesn’t.  Before you list, take some time to wash, vacuum and patch anything that looks worn. Even simple fixes tightening bolts, replacing rope handles, or polishing metal show buyers you’ve cared for your boat.

Then, take clear, well lit photos in natural light. Include full boat shots, interior details, and close- ps of upgrades or wear. Avoid cluttered backgrounds and show your boat at its best.

Know your boat’s true value

Pricing is part art, part science. Start by researching similar boats currently for sale on Small Craft Sales or in regional marketplaces. Consider upgrades: new floors, frames, or oars can add value. If your raft comes with accessories coolers, straps, or fishing frames note those separately.

You don’t have to undercut everyone else, but realistic pricing matters. If you’re unsure, list slightly higher and include “open to offers.” You’ll invite conversation instead of scaring off serious buyers.

Write a listing that feels human

Avoid dealership jargon. The best listings sound like someone who knows and loves their gear.  

Instead of: “Excellent condition, priced to sell.” Try: “She’s been my go-to drift boat for early-season floats – tracks great, loads easy and still has plenty of river miles ahead.”  

Write in your own voice. The goal is to make the buyer trust that you’re the kind of person they’d want to buy a boat from.

Be transparent about condition

Honesty sells faster than spin. Small Craft buyers are usually experienced, they’ll notice if you gloss over damage. Be upfront about wear, repairs and quirks. If you replaced valves, note it. If the frame has a small dent, mention that it doesn’t affect performance. Transparency builds confidence, and confidence gets you to a deal. On platforms like Small Craft Sales, your reputation matters it’s a small world, and good sellers become trusted go-tos for repeat buyers.

Include the details that matter

A listing without specs is like a map without labels. Include the basics: brand, model, year, size, material, accessories and upgrades. Buyers want to know how your boat compares to others. Specificity helps filter out window shoppers and attracts those ready to make a real offer.

Tap into the power of community marketing

Most sellers stop at posting a listing. Smart sellers go one step further. One of the biggest perks of listing on Small Craft Sales right now is the free marketing boost every boat gets: a sponsored Instagram post reaching targeted outdoor buyers and a feature in the Small Craft Sales newsletter (7,000+ subscribers of anglers, outfitters, and paddlers). That’s free advertising you’d normally pay for and it positions your listing in front of exactly the right audience. Founder Tim Romano calls it “a thank-you to early believers,” adding, “It’s our way of giving sellers the full marketing push before paid tiers launch later. You get maximum visibility for zero cost.”

Respond quickly (and be a real person)

When the messages start rolling in, speed matters. Buyers often reach out to multiple sellers at once. Replying within a few hours increases your chances of closing the deal. Use a friendly tone, remember, you’re talking to fellow boat people, not corporate buyers. If you’re firm on your price, say so politely. If you’re flexible, invite an offer. Many successful boat sellers even suggest a phone chat or Facetime walkaround, especially for buyers in another state. Quick, personal responses often turn inquiries into handshakes.

Time your listing right

The small-boat market follows the seasons. Late winter through spring is best for rafts and drift boats as guides and anglers gear up. Mid-summer favors paddleboards, kayaks, and canoes. Fall is great for off-season deals before winter storage. But with Small Craft Sales’ free listings through the end of 2025, you don’t have to wait for peak season. Listing now gets your boat featured before the site’s paid tiers roll out, meaning your post stands out with less competition and maximum promotion.

Close the loop and stay connected

Once your boat sells, don’t ghost the buyer. Follow up, share setup tips, or offer to meet if they’re local. The small-craft community runs on relationships. That buyer might later become your next customer, a trade partner, or even a friend who invites you on their next river trip.  

Staying connected also builds your reputation on Small Craft Sales. As the platform grows, trusted sellers are likely to gain early access to premium tools and verified-seller badges.

Why Small Craft Sales is unique

What makes Small Craft Sales special isn’t just its design. It’s the culture behind it. Traditional platforms treat boats like numbers in a spreadsheet. This one treats them like companions with miles of stories. Listings are curated, conversations are real, and the people behind them understand what it means to scrape a hull over gravel or row against the wind.  

For the small craft community, this isn’t just another sales site. It’s a return to connection—to the same energy you find swapping stories at the put-in or helping a stranger patch their raft.

And right now, the company is rewarding early adopters with a deal that’s hard to ignore:  

• Free listings through 2025  

• Paid Instagram promotion for your boat  

• Feature placement in their newsletter reaching 7,000+ subscribers  

That’s a lot of free exposure for anyone who lists before the end of the year.

Final Call: List Now, While It’s Still Free

If you’ve been thinking about selling your boat, stop waiting for the “perfect” moment. The perfect moment is right now. With no listing fees, professional promotion, and a community that actually understands your gear, Small Craft Sales gives your boat the spotlight it deserves—without the noise of big-box marketplaces.

Here’s your quick launch checklist: 

✓ Gather your photos and write your boat’s story  

✓ Visit SmallCraftSales.com  

✓ Create a free account  

✓ List your boat before the end of 2025 to secure your early-adopter perks  

Your next buyer might already be scrolling. So go ahead—dust off that drift boat, clean up the raft, and tell its story. Because when you sell in the right place, to the right people, you’re not just passing along a boat, you’re passing along a piece of water life.

About Small Craft Sales  

Founded in 2025 by Tim Romano, Small Craft Sales is an online marketplace dedicated to buying and selling small watercraft. Think rafts, drift boats, canoes, skiffs, SUPs, and other “smallish” boats. The platform connects real boaters through curated listings, honest storytelling, and community-driven marketing. Learn more or create your free listing at SmallCraftSales.com. Small Craft Sales is also a proud supporting group of OWAA.

The post 10 tips for selling your small boat faster (and smarter) appeared first on Outdoor Writers Association of America.

It’s that time of year again! Leaves are changing color, temperatures are dropping, and OWAA’s Excellence in Craft Contest is open! Enter your work in the 2026 Excellence in Craft Contest today.

If it is your first time hearing about OWAA’s Excellence in Craft Awards, we invite you to take a look at last year’s winners. You can find their work here. 

The Outdoor Writers Association of America annually recognizes exceptional work in outdoor journalism through its Excellence In Craft Awards. The 2025 contest opened for entries on Nov. 1, 2025.

Check out the guidelines below and link to the rules for submission! Guidelines and full category rules are posted on OWAA’s Submittable homepage under EIC Contest. 

Categories, deadlines, and everything you need to know to enter

Entry Process

The EIC Contest is open to all OWAA individual members in good standing (i.e. your membership dues are current) and will award first-, second- and third-place winners in 11 Media Categories: Blog, Book, Column, Graphic/Illustration, Magazine/E-zine, Newspaper/News Website, Photography, Photo Essay, Radio/Podcast, TV/Video/Webcast, plus an Open Category.

 All entries must be related to the outdoors, published either in traditional media or online, as a professional effort, meaning the member has received direct payment or otherwise derived income through advertising or other sponsorship related to the published entry.

All entries must be published, broadcast, or sold during the contest period – Jan. 1, 2025 through Dec. 31, 2025, except for the Book Contest which is for works published between Dec. 1, 2023 through Nov. 30, 2025.

Entries in all contest categories can be submitted beginning Nov. 1, 2025. The final deadline for the Book Contest is Dec. 1, 2025. The early bird deadline for all other entries is Jan. 15, 2026. The final deadline for all other entries is Jan. 31, 2026.

The entry process for the 2026 EIC Contest is managed through a partnership with Submittable, an OWAA Supporting Group that specializes in online contest submissions. All entries must be submitted online through Submittable, exceptfor Book entries, which must be mailed to OWAA EIC Contest, c/o Chez Chesak, 3420 Lyleburn Pl, Cincinnati OH 45220 with a postmark no later than midnight EST Dec. 1, 2025.

Members must enter only their OWN work. This eliminates the chance an entry is inadvertently submitted twice (once by the member and once by a co-worker, editor, or someone else). In such cases, the second submission will be disqualified. Entry fees for disqualified submissions are not refunded.\

Accessing Submittable

If you are using Submittable for the first time, create your FREE Submittable account by going to https://owaa.submittable.com/signup. If you are new to Submittable or need a refresher, visit https://submittable.help/en/articles/904856-how-do-i-submit for assistance.

Once your Submittable account is created, you can begin submitting entries at https://owaa.submittable.com/submit, which allows you access to all EIC Contest entry forms. Each Media Category – Blog, Book, Column, Graphic/Illustration, Magazine/Magazine Website, Newspaper/News Website, Photography, Photo Essay, Radio/Podcast, and TV/Video/Webcast, and Open – has its own entry forms.

Deadline to enter

The final entry deadline is midnight EST, Jan. 31, 2026, for all categories except the Book Contest in which entries must be postmarked no later than midnight EST Dec.1, 2025.

Entry fees

The entry fee is $15 per submission if entered by midnight EST Jan. 15, 2026.

Entries submitted after midnight EST Jan. 15, 2026 but before midnight EST Jan. 31, 2026, will be charged an additional $10 late fee. Entries submitted after midnight EST Jan. 31, 2026 will be disqualified.

Entry fee(s) can be paid through Submittable or by check. Credit card payments can be made individually for each entry or with a single payment for multiple entries. Contact eic@owaa.org for guidance. Check payments with single check for all entries (one or multiple) must be mailed to OWAA EIC Contest – c/o Chez Chesak, 3420 Lyleburn Pl, Cincinnati, OH 45220. Checks must be postmarked before the contest deadline.

General rules

Except for the Book Contest, all entries must be submitted online using Submittable. No mail-in entries allowed.

Members may submit up to two entries each in Book, Column, Graphic/Illustration, Open, and Photo Essay. (NOTE: Entries in the Open Contest may not be submitted to any other contest.

Members may submit up to two entries per topic in Blog, Magazine, Newspaper, Photography, Radio/Podcast, and TV/Video/Webcast. For example, two entries in Magazine/Fishing or two entries in Photography/Scenic, etc.

Members may submit one work in multiple topics if the topic description applies. For example, a Photography/Action entry also may qualify for Photography/Fauna, or a story on fishing that includes substantial information about the gear used may qualify for Magazine/Fishing and Magazine/Gear-Technical.

If you have any questions about an entry and what category/topic it best fits in the EIC Contest, please contact eic@owaa.org for guidance.

Categories or topics receiving fewer than three entries will be canceled and entry fees reimbursed.

Categories or topics receiving only three entries will award only first- and second-place prizes.

Entries submitted during a previous contest year that have simply been re-published or re-broadcast are not eligible.

A second or later edition of a book may be entered in the Book contest if 1) at least 20% of the content is new material, 2) it was republished within the contest dates, and 3) the original version was not entered in a previous OWAA EIC Contest.

Book contest entries are not returned to the author but instead donated to the Book contest judges (per Board directive in 2000). Co-authored, co-photographed and co-produced creations may be entered only once in a topic, regardless of how many people received bylines/credits. For co-authored,co-photographed and co-produced entries, all authors/photographers/producers must be OWAA members except in the Book Contest in which only one author must be an OWAA member. The prize will be split among the co- authors/photographers/producers, and one certificate will be awarded with all co-authors/photographers/producers’ names on it.

A letter of verification from the editor or publisher must accompany newspaper and magazine entries published under pen names.

Family or friends may enter deceased OWAA members’ works published or broadcast during the contest year.

Award certificates and checks are made out to individuals, not organizations, publications or broadcast stations.

Entry constitutes a waiver of copyright restrictions on reprinting or reproducing entries by OWAA to promote the organization and the EIC Contest.

If you have any questions about the guidelines listed above, please contact the EIC contest coordinator at eic@owaa.org

If you have any questions about using Submittable, contact the help desk at support@submittable.com or the EIC Contest coordinator at eic@owaa.org

View a full list of the 2026 Excellence in Craft contest categories here!

The post OWAA 2026 Excellence in Craft Contest: How to enter your work appeared first on Outdoor Writers Association of America.

Annika Hipple is a freelance writer and photographer who has covered outdoors-related topics for Lonely Planet, BBC Travel, Atlas Obscura, Sierra Magazine, Northwest Travel & Life, Bats Magazine, and many other publications. A dual citizen of the U.S. and Sweden, she was raised in the Boston and Stockholm areas and now lives in Seattle, Washington. Her recent outdoor adventures include an 11-day wilderness rafting expedition through remote British Columbia and Alaska, a six-day sea kayaking trip off northern Vancouver Island, and small-ship expedition cruises in Hawaii and Antarctica.

What are your areas of Outdoor Communication?

I write about outdoor adventure, wildlife, conservation, and sustainability for publications, nonprofit organizations, and other clients. I also do a lot of outdoor and conservation photography and am working on making this a larger part of my business. 

What drew you to the field?

I have a B.A. in environmental studies and an M.A. in Latin American studies with an environmental focus. After grad school I had initially planned to go into the nonprofit world but began doing freelance writing work while looking for a full-time job. Eventually I managed to focus my writing more and more on topics I care about, so I stuck with freelancing and never did get that full-time job.

What enticed you to join OWAA?

I have known Chez* for a long time through my involvement with the Adventure Travel Trade Association and became aware of OWAA when he became the executive director. After learning more about the organization through his Facebook posts I decided to join when a new member discount was offered.

*Chez Chesak is OWAA’s Executive Director.

What is your favorite outdoor activity and how did you get into it?

Anything that gets me into or onto the water. During my childhood summers in Sweden we spent a lot of time swimming in the Baltic Sea and some of the country’s nearly 100,000 lakes. During a college semester abroad in Ecuador I had my first opportunity to snorkel (in the Galapagos Islands), and that quickly became another favorite activity, which I indulge in every chance I get.

What are you currently working on?

In addition to writing outdoor stories for various publications, I am working on adding more well-funded nonprofit conservation organizations to my client list, as well as expanding my efforts to market my photography. 

What have you gained from the organization?

For various reasons I haven’t yet been as actively involved as I’d like, but I have gained contacts within the outdoor industry and had some interesting press trip opportunities come my way. I have enjoyed connecting with other members online and hope to attend an OWAA conference soon.

What is one piece of advice you’d give to someone thinking of joining OWAA?

If you write about the outdoors and are looking to join a community of highly qualified communicators with similar interests, don’t hesitate. Once you join, be as active a participant as you can and attend online and in-person events as your budget and schedule allow.

Anything else you’d like to add?

OWAA is an organization that is growing in membership and reach, so I encourage any writer who covers the outdoors in any way, shape, or form to consider joining.

Check out some of Annika Hipple’s work.

12 best things to do in Sweden for The Lonely Planet.

OWAA membership

Do you work in the outdoor communication space? See if an OWAA membership is right for you.

Learn more about OWAA’s individual membership.

The post Meet OWAA member Annika Hipple appeared first on Outdoor Writers Association of America.

As outdoor media professionals, there are mixed reviews on heated jackets. Some pros love them and some pros prefer simply layering up and keeping moving to stay warm. For those who find themselves braving the elements to capture the perfect shot or story — often having to stay still so the wildlife won’t spot them — a heated jacket could make your time outdoors in cold weather a little more comfortable. 

Epedically in mountain states and cold weather international destinations, a winter morning or the unpredictable weather of Spring equally require you to be in the cold and find creative ways to stay warm.

Here are a few benefits to wearing heated jackets in the field. 

Extend your battery life with heated pockets

The first time I zipped up the Venustas Heated Waterproof Heated Lightweight Jacket, it was 20°F and I was on a ridge in western Montana waiting for a pair of elk to come into camera range. What I didn’t expect was how much difference those heated pockets would make. And not just for my hands. The pockets kept my spare battery from dying which made me comfortable knowing I had plenty of time in the field with reliable gear. Not all heated jackets come with heated pockets, so be sure to do your research. 

With heated pockets, you can easily keep your phone, camera and drone batteries warm enough to hold a charge until you need them. And even if your heated jacket doesn’t come with heated pockets, you could secure your camera battery in a pocket just underneath the heated jacket in your mid layer jacket. The heat will still help extend the battery life. Bonus tip: Get a heated jacket that’s also waterproof so you can protect your batteries and cell phone from the elements. Look for waterproof zippers with taped seams.

Stay out longer during winter wildlife photo shoots 

In cold weather months photographers often camp out in the early morning to photograph wildlife. And once you arrive, there’s no hiking to warm you up when your job is to stay hidden and still for hours. And when you have gear and a tripod in the snow, you may have to take your gloves off more than you’d like. 

This is where the heating zones in a heated jacket help. Venustas engineers designed their heated coats with five zones — chest, mid-back, and both pockets. You get core warmth where it matters. It’s also not bulky like some insulated jackets, so you still get full range of motion with a camera rig. 

Enjoy warmth during on-air interviews and social media coverage

The last thing you want to do during an on-air interview is shiver because you’re too cold. And if you’re filming for social media behind the scenes or as a content creator, being cold can distract you and you may not be your creative best self. Let’s say you’re covering a snowshoeing clinic in the shooting B-roll, interviewing instructors and checking in with a local guide. The event is outdoors, temps are in the teens, and you have to look presentable. A heated jacket like the Venustas jacket worked perfectly for this. It has a clean, low-profile cut and the heat will help you stay toasty and focused, without feeling the urge to get to the lodge or heated room as soon as possible and miss a good filming opportunity. 

If you’re doing on-camera work, you can also stash your lav mic receiver in one of the inner pockets. Again, small field detail, but it matters when you’re out there for hours at a time. 

Additional tips for using a Venustus heated jacket in the field

Charging + Battery Life
The 12V battery takes about 2 hours to fully charge and has three heat levels so make sure you have enough time to fully charge the battery before you head out. On low, you should get about 10 hours, on medium around 5–6, and on high about 3. You should carry a spare battery in your pack (or in your heated pockets) for longer days.

Adjusting Heat Levels
The control button is on the chest and easy to access. One press cycles through heat levels (red for high, white for medium, blue for low). You’ll see the light through the shell, which is nice in low light.

Washing and Maintenance
Yes, it’s machine washable, but take the battery out. After a full season of use, you should have all the seams, zippers, and heating zones still working great.

Pocket Functionality
The pockets are a generous size and the heating effect makes them great for electronics. You can even get a GoPro in there to keep the battery warm enough for a longer session. There are seven functional pockets including two zippered chest pockets, two zippered hand pockets, one zippered sleeve pocket, one inner chest pocket, and one battery pocket.

Final thoughts on using a heated jacket

A heated jacket isn’t a piece of gear you wear to make a statement. It’s the kind of jacket you start relying on quietly, because it works, it adapts and it can make your job a little easier when conditions aren’t cooperating.

If you’re an outdoor reporter, photographer or filmmaker working in cold climates, a heated jacket might just be one of the most practical additions to your kit. It’s not flashy. It’s not overbuilt. But it’s versatile enough to go from pre-dawn trail to mid-afternoon interviews without having to swap layers.

The post Top benefits of heated jackets for outdoor writers and photographers appeared first on Outdoor Writers Association of America.

The Outdoor Writers Association of America (OWAA) invites you to join us in Chattanooga, Tennessee, from August 19-21, 2025, for our annual outdoor media conference. Known as the “Best Adventure Town in the U.S. to Live + Play” (National Geographic Adventure), Chattanooga is the perfect backdrop for outdoor media professionals to connect, learn and create.

From its 13-mile Riverwalk along the Tennessee River to world-class venues for rock climbing, biking, hiking, white-water rafting, and hang gliding, this southeastern gem offers you seemingly unlimited story leads. Conference attendees will also have exclusive access to pre- and post-tour options in and around Chattanooga — showcasing the region’s rich landscape and culture. 

Why attend the OWAA conference?

Whether you’re an experienced journalist, photographer, podcaster, or videographer, you’ll have opportunities to:

• Connect with Industry Leaders: Network with over 250 professionals, brands, and media experts passionate about the outdoors.
• Hone Your Craft: Attend skill-focused workshops on writing, editing, photography, social media, and more.
• Build Your Portfolio: Capture breathtaking content during tours, including Chattanooga’s Tennessee River Gorge, known as Tennessee’s Grand Canyon.
• Pitch Your Work: Join the high-energy Editor’s Panel and Marketplace, where attendees pitch ideas in a dynamic, “speed-dating” style.

Conference Highlights

• Keynotes and Breakout Sessions: Learn from industry greats like Andy Austin (@andyaustinphoto) on mastering short-form vertical video, Marvin Cash of The Articulate Fly, and Robbie Kroger of Blood Origins.
• Deep Dive Workshops: Spend three hours diving deep into advanced topics that sharpen your communication skills and expand your storytelling toolkit.
• Unique Events: Participate in a fun run, photo scavenger hunt, storytelling night, and more!

Location Matters: Attendees can stay at the historic Read House, with discounted rates available for conference dates. This charming downtown property offers the perfect mix of elegance and adventure, serving as a basecamp for conference activities and your outdoor exploration.

Story leads for outdoor media in Chattanooga

While you’re in the area, make conference a money-maker for you! Take advantage of Chattanooga’s outdoor offerings to uncover unique stories:

1. Conservation in the Tennessee River Gorge: Explore the efforts of local organizations to preserve this biodiverse natural treasure, known for its scenic river views and rich wildlife.
2. Chattanooga’s climbing renaissance: Dive into the history and future of climbing from towering sandstone walls to bouldering challenges.
3. Hang gliding over Lookout Mountain: Capture the thrill of flight at one of the nation’s top hang-gliding schools, blending adrenaline with scenic views.
4. The legacy of Cherokee trails: Walk the paths rich in history and tell the stories of the land’s cultural significance.
5. The art of sustainable fishing: With Tennessee’s renowned fishing waters, highlight local guides and their sustainable practices to protect aquatic ecosystems.

Plan Your Adventure and Register Today!

Registration includes:

• Access to all sessions and workshops
• Nine meals over three days, paired with inspiring speakers
• Marketplace access for pitching ideas to editors and brands
• Pre- and post-tour options to explore the region

Plus, registration insurance means you’re covered for unforeseen cancellations, ensuring peace of mind when you sign up.

Don’t miss your chance to join the conversation at this premier event for outdoor media professionals. Bookmark this page for updates on the agenda, speakers, and tour options.

Learn more and register today!

See you in Chattanooga!

The post Discover Chattanooga at the 2025 OWAA Conference this summer appeared first on Outdoor Writers Association of America.

It’s that time of year again! Leaves are changing color, temperatures are dropping, and OWAA’s Excellence in Craft Contest is open! Enter your work in the 2025 Excellence in Craft Contest today.

If it is your first time hearing about OWAA’s Excellence in Craft Awards, we invite you to take a look at last year’s winners. You can find their work here, or keep an eye out in the Fall 2024 edition of Outdoors Unlimited. 

The Outdoor Writers Association of America annually recognizes exceptional work in outdoor journalism through its Excellence In Craft Awards. The 2025 contest opened for entries on Nov. 1, 2024.

Interested in how to submit? Check out the guidelines below and link to the rules for submission! Guidelines and category rules will also be posted on OWAA’s Submittable homepage under EIC Contest. 

Entry Process

The EIC Contest is open to all OWAA individual members in good standing (i.e. your membership dues are current) and will award first-, second- and third-place winners in several Media Categories like Blog, Book, Column, Graphic/Illustration, Magazine/E-zine, Newspaper/News Website, Photography, Photo Essay, Radio/Podcast, TV/Video/Webcast, and Open Category.

All entries must be related to the outdoors, published either in traditional media or online, as a professional effort, meaning the member has received direct payment or otherwise derived income through advertising or other sponsorship related to the published entry.

All entries must be published, broadcast, or sold during the contest period — Jan. 1, 2024 through Dec. 31, 2024, except for the Book Contest which is for works published between Dec. 1, 2022 through Nov. 30, 2024.

Entries in all contest categories can be submitted beginning Nov. 1, 2024. The final deadline for the Book Contest is Dec. 1, 2024. The early bird deadline for all other entries is January 15th, 2025. The final deadline for all other entries is January 31st, 2025.

The entry process for the 2025 EIC Contest is managed through a partnership with Submittable, an OWAA Supporting Group that specializes in on-line contest submissions. All entries must be submitted online through Submittable, except for Book entries, which must be mailed to OWAA EIC Contest, c/o Chez Chesak, 3420 Lyleburn Pl, Cincinnati OH 45220 with a postmark no later than midnight EST Dec. 1, 2024.

First time using Submittable or need a refresher? Visit https://submittable.help/en/articles/904856-how-do-i-submit for help setting up an account.

To avoid confusion and extra work for OWAA staff and volunteers, members must enter only their OWN work through their individual Submittable account.

To begin submitting online entries, go to https://owaa.submittable.com/signup to create a FREE Submittable account, which allows you access to EIC entry forms. Each Media Category has its own entry form.

The entry deadline is midnight EST, Jan. 31, 2025 for all Media Categories except the Book Contest in which entries must be postmarked no later than midnight EST Dec. 1, 2024.

The entry fee for all contests is $15 per submission. (Please see below for more information about the general rules.)

General Rules

Click here to view the full list of Excellence in Craft Contest rules. 

Prizes

Cash prizes and certificates are awarded to the top three entries in each category/topic, except where there are only three entries. In such a situation, only first and second place will be awarded. Judges have the discretion to award honorable mentions. If no prizes are awarded in a contest due to insufficient entries (two or less), entry fees will be reimbursed to participants.

Prize money for award winners is based on a combination of entry fees and sponsorship donations.

Prize money may be donated back to OWAA if the winner so chooses. Thank you!

Special Thanks

Thanks to Friesens Publishing and Pew Charitable Trusts for their sponsorship of the 2024 EIC Contest. The support of brands like these is critical to help keep this program running year after year and provides additional prize money for category winners. 

The post OWAA 2025 Excellence in Craft Contest: How to enter your work appeared first on Outdoor Writers Association of America.

An award-winning documentary-adventure photographer, filmmaker, and conservationist, Navy Veteran Chad Brown is the founder/president of non-profits Soul River, Inc. and Love is King. In addition, Chad’s latest efforts include outdoor adventure travel, threatened wild spaces, and BIPOC (Black, Indigenous, and People of Color) communities. Through his projects, he connects the public to endangered lands, capturing the true essence of their peoples in moments of passion and the indomitable human spirit. Utilizing striking documentary portraits, photographic exhibitions and film, Chad also advocates for social and environmental justice. 

Chad’s pathway began as a conventional one, but took on a number of unexpected twists and turns. He studied communication and photography at American Intercontinental University, then moved onto the Pratt Institute in NYC earning his Master’s Degree in Communication Design. He went on to manage interdisciplinary teams in multiple agencies, serving in various roles including creative/art director and photographer, as well as a freelance artist and editorial photographer for the New York Times. His efforts crossed into the world of hip-hop fashion and culture, where he worked with hip-hop mogul Russell Simmons of PhatFarm and Rasheed Young of Run Athletics, photographing and developing creative campaigns for national hip-hop culture magazines. 

In 2007, Chad moved from New York to Portland, Oregon, once more expanding his life and career path beyond the conventional. Today, his adventure photography leads him around the globe – Japan, Hong Kong, Vietnam, and Bangladesh, and into the Alaskan Arctic several times a year. Mother Nature played a significant healing role from the war trauma he experienced during his Navy service. After a failed suicide attempt, he launched his first non-profit, Soul River Inc. in 2013. The organization specializes in cultural expeditions called “deployments” which bring at-risk youth and Veteran mentors together in threatened wild spaces for mission-driven experiences where advocacy and outdoor education meld seamlessly together. Soul River, Inc. also led Chad to Capitol Hill, where he advocates for public lands, wild places, and indigenous peoples and provides youth leaders of tomorrow the opportunity to interact with Congressional members. 

In 2021, Chad founded Love is King, a second non-profit organization focusing on access, safety, and healing in the outdoors as well as conservation leadership training opportunities for BIPOC communities and other underserved voices.

Chad also serves on the board of the Alaska Wilderness League, Lower Columbia Estuary Partnership, and Northern Alaskan Environmental Center. He has been featured on the BBC and CBS, including Good Morning America and NatGeo/Disney’s Called to the Wild, as well as national publications like Outside Magazine and The Drake and regional publications in the Pacific Northwest. Chad was the first recipient of the Breaking Barriers Award presented by Orvis, and the Bending Toward Justice Award from Oregon Senator Jeff Merkley.

Most recently Chad is the 2024 recipient of three prestigious IndieFest Film Awards – including the African American Theme Award of Recognition, the African American Filmmaker Award of Merit, and the African American Theme Award of Merit. 

To learn more about Chad’s non-profits and how to help, please visit Soul River Inc. and Love is King.  

To experience Chad’s award-winning and life-changing creative works, please visit https://chadocreative.com/about/. 

Learn more about Soul River Inc and Love is King.

Outside Magazine Podcast

Behind The Camera – https://prophotosupply.com/blogs/behind-the-camera/behind-the-camera-chad-brown

Creative Portfolio Work  – https://chadocreative.com/

Films

Blackwaters Film – https://blackwatersfilm.com/

INWARD Film- https://inwardfilm.com/

Mother Film – https://mother-sisterhoodinthewildfilm.com/

Resilience Rising – https://resilience-rising.com/

Nonprofit work

Soul River Inc. soulriverignc.org

Love Is King  https://www.loveisking.org/

What are your areas of Outdoor Communication? 

My areas of communications is Film Making and adventure photography / Stylized Portraits 

My areas of communications and professional interest as a photographer, filmmaker, creative director, advocate, and nonprofit leader. My work centers around telling stories of underserved voices documents indigenous stories, especially up in the Arctic Circle, and stories from the Black, Indigenous, and people of color (BIPOC) communities that revolve around their connection to the outdoors. Telling these stories helps dismantles stereotypes and false narratives but yet bring to light new conversation and ideas across all conversations. The idea of BIPOC recreationist int he outdoors are new concept is not new! Yes there are newbies but there are also newbies from all races. But Bipoc historically has been connected to the outdoors and not strangers in nature.

What drew you to the field? 

I have always been drawn to the field of creative storytelling, and throughout my career, I have pursued my creativity by developing concepts for brands and products. Art, design, and photography have always been central to my life. However, there was a period when I had to put this passion on hold due to personal challenges related to my experience as a veteran fighting PTSD.

As I emerged from that difficult time and fought hard to overcome it, I began experiencing small successes that allowed me to carve out spaces for myself where I could express my creativity professionally. While I love telling stories in general, I became particularly interested in exploring narratives within the outdoor space.

The more time I spent in nature and connected with my own soul, the more stories of fear among BIPOC individuals came to light. Even my own parents expressed concerns about me venturing into the outdoors and urged me to be cautious. This fear is deeply rooted in generational experiences and is not unique to every BIPOC person. However, it troubled me greatly that these fears could prevent individuals from fully embracing outdoor activities.

This disturbance motivated me to utilize my talents in a higher capacity by telling stories about people of color who engage with the outdoors despite their fears. Through these narratives, I aim not only to challenge stereotypes but also educate others about the very real fears faced by many individuals. By dismantling barriers through storytelling, I found myself occupying a niche where I can make use of my creative abilities for the greater good.

Having previously worked with brands and products while living in New York City, now residing in Portland, Oregon allows me an opportunity to channel my talents towards this important mission. My ultimate goal is not only bringing untold stories of people of color onto screens or stages but also fostering deeper conversations and moments of enlightenment that can benefit us all.

What enticed you to join OWAA? 

It’s always great to step into a community of passionate folks whom carries the wonder of talent telling stories in unique creative ways.

What is your favorite outdoor activity and how did you get into it? (An anecdote would be great here!) 

As a Navy veteran who served during Desert Storm and Operation: Restore Hope in Somalia, I have navigated the challenges of mental illness, particularly PTSD. This battle once consumed a significant portion of my life, leading me into a dark spiral that left me grappling with my inner demons and experiencing homelessness.

However, through the unexpected gift of fly fishing introduced to me by a friend, I found my way back to society. Fly fishing not only played a pivotal role in my journey but continues to be an essential part of my life today. It serves as a powerful tool for uniting communities and fostering meaningful connections among young individuals and fellow veterans.

Today, fly fishing stands as my beloved outdoor pursuit, providing me with the balance needed to nurture my creative endeavors. It symbolizes hope, resilience, and the transformative power of finding solace in nature while bridging hearts and minds.

What are you currently working on? 

Currently, I am involved in multiple projects. One of them is a film called “The Guardians,” which focuses on the journey of five BIPOC veterans as they explore the Arctic National Wildlife Refuge. Through their experiences, they undergo healing and connect with indigenous cultures like the Gwich’in community. The film highlights their transformation from PTSD into advocates for the land and their understanding of political issues while sharing common ground with indigenous people and connecting with the Arctic National Wildlife Refuge.

Another project I am working on is completing a film called “Mother,” which centers around five BIPOC black women embarking on outdoor expeditions, particularly focused on fly fishing and sisterhood. This film aims to explore what it means for African-American women to engage in outdoor activities within wild spaces and foster sisterhood. My goal is to have this project launched by the end of August.  https://mother-sisterhoodinthewildfilm.com

Additionally, I am collaborating with partners to establish an all BIPOC film festival that provides a platform for BIPOC filmmakers. This festival aims to facilitate various conversations within the creative world of filmmaking as well as advocacy work, emphasizing its significance. By showcasing diverse lived experiences in outdoor settings from an urban perspective, we hope to offer audiences a unique and enlightening perspective.

Furthermore, I am working on developing a deeper partnership with Tarleton State University in partnership with my nonprofit Love is King operation initiative. This collaboration aims to engage more BIPOC students in outdoor activities. It is worth noting that many of these students will be experiencing camping, hiking, or even attending college for their families for the first time ever—a truly remarkable endeavor that we anticipate will come into fruition by 2025.

Lastly, there is another project titled “Boundless” that I have been focusing on recently. This film tells the story of a US Marine veteran who identifies as part of both the LGBTQ community and her native American tribal community while battling terminal cancer. The narrative revolves around her fight against adversity—both as a member of the LGBTQ community and as a survivor of multiple instances of sexual assault during her time in the Marine Corps. Set in a desert landscape, this film symbolically represents her journey through life’s challenges and serves as her memoir. The protagonist hopes to inspire women, especially those who have faced obstacles, by demonstrating resilience and empowerment. Completing this film will be an exciting endeavor, as it sheds light on an extraordinary individual and their experiences.  https://boundlessfilmstory.com

These projects represent my current focus and dedication.

What have you gained from the organization? 

Being a member of any organization presents valuable opportunities for professional development, exposure, skill enhancement, and networking. Joining the Outdoor Writers Association, for instance, has allowed me to establish meaningful connections that have contributed to my personal growth. Additionally, the supportive community of fellow creative professionals within the association has been immensely beneficial.

What is one piece of advice you’d give to someone thinking of joining OWAA? 

The power of being part of a creative community like OWAA is essential to the growth of your craft. Acting silo clogs up your opportunities to grow. This is with anything you do and any organization you can be part of.

Are you an outdoor media professional?

Learn more about becoming a member of OWAA today!

The post Meet OWAA member Chad Brown appeared first on Outdoor Writers Association of America.

As you gear up with other outdoor media professionals for our 2024 annual conference in El Paso, Texas September 20-22, you may be looking for nearby outdoor adventures to enhance your experience. And if fishing is on your agenda, you’re in luck — New Mexico offers several opportunities just a short drive away from El Paso. 

Whether you’re looking to unwind before the conference or extend your stay afterward, the “Land of Enchantment” has some great spots for you to cast a line.

Close to El Paso: Southern New Mexico’s fishing spots

While you’re staying in El Paso, New Mexico’s fishing opportunities are accessible. The northern part of the state is known for its fishing destinations and the southern region has its own charm — particularly around Las Cruces, located just about an hour north of El Paso.

Caballo Lake and Elephant Butte Lake are two prime spots to consider. Both lakes are managed by New Mexico’s Department of Game and Fish and are well-stocked with a variety of fish species. 

Elephant Butte, the largest lake in New Mexico, is ideal for anglers looking to reel in striped bass, largemouth bass, and catfish. 

Caballo Lake, located just south of Elephant Butte, is a quieter option where you can catch walleye, white bass, and the occasional lake trout.

Las Cruces: An underrated fishing locale

“In Las Cruces, people often fish at the pond in Young Park, which is regularly stocked by the Game & Fish Department,” said Hilary Dutcher, destination experience manager at Visit Las Cruces. 

“There’s also fishing along the Rio Grande, where shore fishing is popular, particularly near the Mesilla Dam. You’ll find catfish, sunfish, crappie, carp, bluegill, and bass in these waters.”

For those willing to venture a bit farther, Dutcher recommended the Gila National Forest area to the west of Las Cruces. 

“The Gila and San Francisco Rivers offer serene settings and the chance to catch largemouth bass, sunfish, channel catfish, and the protected Gila trout,” she said. With lakes like Snow Lake, Quemado Lake, and Lake Roberts, this region is ideal for those looking to fish in more remote, scenic locations.

Plan your fishing adventure

If you’re attending the OWAA conference in El Paso this September and you want to explore New Mexico’s fishing scene before or after the conference, here are a few tips:

Caballo Lake and Elephant Butte Lake: Both are about a 1.5 to 2-hour drive from El Paso, making them perfect for a day trip.

Rio Grande at Las Cruces: For a quick fishing fix close to the city, the Rio Grande offers easy access and a variety of fish species.

Gila National Forest: If you have extra time and want to experience New Mexico’s wilderness, head west to the Gila National Forest. This area is about a 2 to 5-hour drive from Las Cruces, depending on your destination.

New Mexico’s tourism website and the New Mexico Department of Game and Fish offer excellent resources for planning your fishing adventure. The state’s weekly Fishing and Stocking Report is a valuable tool to stay updated on the latest conditions and fish stocking information.

So, whether you’re looking to relax before the conference or unwind afterward, don’t miss out on the opportunity to explore these lesser-known fishing spots in New Mexico. They’re close, convenient and offer a peaceful retreat from the hustle and bustle of El Paso.

Register for the OWAA 2024 conference in El Paso today!

The post Discover New Mexico’s fishing spots near El Paso appeared first on Outdoor Writers Association of America.