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Vortex Storm Jacket

3 Jun

Vortex Storm Jacket

By Jonathan Lawton

If you spend any time outdoors taking photos, sooner or later you are going to find yourself in inclement weather. For years I’ve kept a small garbage bag and some rubber bands in my camera backpack for the sole purpose of protecting my gear in case of a sudden rainstorm. While it worked in a pinch, trying to secure my makeshift rain cover in a timely fashion was always a precarious situation. Vortex Media offers a more dependable and equally compact solution for anyone who needs to protect their camera equipment while out in the field.

The Vortex Storm Jacket is a one-piece camera and lens cover made of a flexible and waterproof nylon fabric. Setting up the Storm Jacket is a quick and easy task. The front cover features an adjustable bungee drawstring, allowing you to cinch the cover to the front of your lens. From there you simply pull the jacket over the back of your camera body to complete the setup. The Storm Jacket’s rear opening is large enough to allow you easy access to your camera controls and viewfinder. My test unit was the 17 inch model and was large enough to accommodate a Canon 70-200mm 2.8 mounted to a Canon 1D.

The Vortex Storm Jacket comes in four colors (black, red, yellow and camouflage) and is available in five sizes, from 11 inches to 31 inches. To figure out what size is most appropriate for your gear, just measure from the back of your camera to the front element of your lens when the zoom is fully extended. The Storm Jacket also comes with its own zippered carrying pouch for easy storage. The Storm Jacket ranges from $36 to $46.

It’s small enough that you won’t mind carrying it with you, and in the right conditions, it just might be the most valuable piece of equipment you have in your camera bag. ◊

Jonathan Lawton is a 2003 graduate from the Rochester Institute of Technology, where he studied photojournalism. He operates a photography business, specializing in wedding and portrait photography, www.jonathanlawton.com. Contact Lawton at jlawton@wbhunt.com.

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Product Review: Manfrotto 190XWNB Wilderness Tripod Legs

3 May

Product Review: Manfrotto 190XWNB Wilderness Tripod Legs

By Jonathan Lawton

Regardless your skill level or the type of photography that interests you, a sturdy tripod is an essential tool to help improve your craft. If you go into any camera shop, it is easy to become overwhelmed by how many different styles of tripods there are on the market. There are hundreds, ranging from small, inexpensive plastic models to high-end tripods made from lightweight carbon fiber. It is very important to look for one that is solidly built and has a weight capacity large enough to support your heaviest lens and camera combination.

Manfrotto is one of the most respected tripod manufacturers and their products are used by amateurs and professionals alike. Their redesigned 190XWNB Wilderness tripod is a lightweight, three-section aluminum tripod that when fully collapsed is only 20.9 inches long. Even though it is quite compact, the 190XWNB has an impressive 11-pound maximum load capacity. Its three extending legs feature quick-action locking levers that make it easy to adjust the tripod’s height. Two of the legs are wrapped in padded rubber, making it easier to handle the tripod in cold or wet weather. Another nice touch is the all-terrain rubber feet with retractable steel spikes at the base of each leg that ensure the tripod has a solid foundation. The adjustable center column can extend to give the 190XWNB a maximum height of 57 inches. Like most Manfrotto tripods, the 190XWNB can accept any tripod head with a three-eighths-inch mount, allowing you to select the tripod head that best suits your needs.

The Manfrotto 190XWNB is a great choice if you are looking for a sturdy yet lightweight tripod that is built to handle demanding conditions. ◊

Jonathan Lawton is a 2003 graduate from the Rochester Institute of Technology, where he studied photojournalism. He operates a photography business, specializing in wedding and portrait photography, www.jonathanlawton.com. Contact Lawton at jlawton@wbhunt.com.

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Product Review: Trek-Tech TrekPod II

1 Apr

By Jonathan Lawton

As a photographer, I have a love-hate relationship with my tripod. Don’t get me wrong, I enjoy tack sharp images and the enhanced depth of field capabilities a tripod provides, but I despise lugging it around out in the field. I couldn’t tell you how many shots I missed because I was too lazy to carry my tripod. Luckily, the people at Trek-Tech released a gadget that will make carrying a camera support in the field much easier.

The TrekPod II could be best described as a photographer’s multi-tool. It is a mix between a walking stick, monopod and a tripod. It is designed to support cameras, binoculars or any other device that has a one-quarter-inch threaded mount. The TrekPod II is made of two telescoping brushed aluminum columns, weighs 1 pound, 11 ounces and its height adjusts from 43 inches to 62 inches.

The TrekPod II has three legs built into its lower section that unfold into a freestanding tripod. The top of the TrekPod II features a small adjustable mini ball-head with a magnetic quick release plate for securing your camera to the stand. The quick release plate supports up to nine pounds. In my evaluation, the TrekPod II securely supported a 3-pound load that consisted of a Canon 70-300mm IS lens attached to 50D. With such a large load capacity, I can easily see the TrekPod II being able to handle the majority of consumer and professional SLRs with up to a medium telephoto lens.

The TrekPod II is a great solution for a photographer who seeks the creative possibilities a full-size tripod provides, but wants to avoid dealing with the weight and bulk often associated with the device. The TrekPod II comes shipped with a padded carrying case, the MagMount mini ball-head and two quick-release adapters with a safety clip.

Jonathan Lawton is a 2003 graduate from the Rochester Institute of Technology, where he studied photojournalism. He operates a photography business, specializing in wedding and portrait photography, www.jonathanlawton.com. Contact Lawton at jlawton@wbhunt.com.

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Product Review: ThinkTank Pixel Sunscreen v2.0

1 Feb

Product Review: ThinkTank Pixel Sunscreen v2.0

By Jonathan Lawton

If you have ever tried to use your laptop computer outdoors on a sunny day, you know just how washed-out and dull your normally vivid screen appears. The Pixel Sunscreen is a light, compact and collapsible tent that shields your laptop screen from the sun’s harsh glare. When opened, the sunscreen is 14.5 inches wide by 22 inches tall by 19.5 inches deep. It accommodates laptop screens up to 17 inches wide and features openings at the sides and rear for the routing of power and USB cables. The bottom of the Sunscreen is coated inside and out with a non-slip material so there’s worry about your laptop or the Sunscreen sliding around. The Pixel Sunscreen comes with two inside mesh storage pockets. A movable clip, hung from the top of the tent, is useful for hanging printed information. When you are done using the Sunscreen, it collapses down to a 14- by 1-inch disc for easy portability.

The Pixel Sunscreen makes it much easier to view your laptop screen when outdoors or in any other environment where you cannot control ambient lighting. Being a photographer myself, I recognize that the Sunscreen is a valuable tool that makes it possible to confidently edit images on location, as opposed to back in the office. Like other ThinkTank Photo products, the Pixel Sunscreen is designed with an emphasis on functionality and convenience. The Pixel Sunscreen comes with a lifetime warranty and currently sells for $69.99.

ThinkTank Photo is a California-based company that specializes in designing innovative products to help photographers get the most out of their equipment. While they are most commonly known for their extensive equipment carrying solutions to include backpacks, rolling cases and beltpacks, ThinkTank also carries some well-designed accessory products like the recently released Pixel Sunscreen v2.0. ◊

Jonathan Lawton is a 2003 graduate from the Rochester Institute of Technology, where he studied photojournalism. He operates a photography business, specializing in wedding and portrait photography, www.jonathanlawton.com. Contact Lawton at jlawton@wbhunt.com.

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Product review: Canon Powershot G11

7 Jan

Product review: Canon Powershot G11

By Jonathan Lawton

The Canon Powershot G series cameras are ideal for photography enthusiasts who desire the image quality and versatility of an SLR camera, but not the added size and weight. The recently-released Canon G11 is the G10’s successor. With the G11, Canon specifically set out to improve on the G10’s low light sensitivity and overall image quality. The two look similar in physical appearance and share a few core specifications. Both cameras feature the same image stabilized 5x zoom lens, RAW image capture, optical viewfinder, external hot shoe and full manual exposure control.

Even though the new G11 shares the same 1/1.7” size sensor as its predecessor, its resolution has been reduced from 14.7 megapixels to 10 megapixels. This enables the G11 to produce cleaner images and reduces digital noise commonly exhibited when shooting in low-light situations at higher ISO speeds. The G11 also features an expanded ISO range topping out at 3200 ISO, a full stop greater than the previous model.

Just like the previous G series cameras, the new G11 is built exceptionally well. The sturdy, full-metal body is well-balanced and fitted with a rubberized hand grip. On top of the camera, in addition to the power and shutter buttons, three manual dials control mode selection, ISO and exposure compensation. These allow you to quickly change critical settings. Another nice improvement can be found on the rear of the camera. With the addition of a fully articulating 2.8 inch rear LCD screen, Canon has re-introduced a much appreciated feature absent since the G6. The adjustable screen allows you to easily frame your photo in low or high angle situations, which can make it much easier to get creative with your photo composition.

The G11 offers an impressive range of features and includes manual controls that are typically unavailable in the point-and-shoot market. The improved low light performance coupled with the versatile LCD screen make the G11 an attractive option for someone looking for a full-featured compact camera. The G11 kit currently sells for $499 and includes a rechargeable lithium battery, charger, neck strap, USB/AV cables and the Canon Digital Camera Solutions software. ◊

If you have any questions on the Canon G11 or any other photo related topic, feel free to contact Jonathan Lawton at jlawton@wbhunt.com. Lawton is a 2003 graduate from the Rochester Institute of Technology, where he studied photojournalism. He operates a photography business, specializing in wedding and portrait photography. www.jonathanlawton.com.

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Device reduces glare on camera’s rear LCD screen

2 Nov

Device reduces glare on camera’s rear LCD screen

By Jonathan Lawton

hoodman-loupeIf you enjoy taking pictures outdoors, particularly on a bright sunny day, you know just how difficult it can be to view your camera’s rear LCD screen. The strong glare from the screen can make it nearly impossible to efficiently review images. The HoodLoupe 3.0 is a handy solution for this common problem.

The HoodLoupe is designed to work like a traditional loupe. After taking your photograph, simply place the HoodLoupe on the back of your camera covering the LCD screen. The HoodLoupe blocks out the surrounding light and enables you to review your image in a glare-free environment. This is especially helpful when checking for correct exposure, critical focus and composition.

Although the HoodLoupe is ideally designed to be used on cameras with a 3-inch LCD screen, it works well on cameras with smaller LCD screens as well. The HoodLoupe is lightweight and made of soft rubber so you won’t have to worry about scratching your display. The built-in diopter -/+ 3 allows you to adjust the loupe for your vision. The HoodLoupe comes with a soft storage case and belt clip to protect it when not in use. It also includes a lanyard for wearing around your neck when shooting.

If you do a lot of outdoor photography, the HoodLoupe is an accessory that can make your life easier. This small, well-built, lightweight device is worth bringing along to your next photo session.

Jonathan Lawton has been a photographer for more than 10 years and operates his own photography business, www.jonathanlawton.com. If you have questions on any photo-related topics, contact him at jlawton@wbhunt.com.

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Canon Powershot D10

1 Oct

Canon Powershot D10

By Jonathan Lawton

If you are looking for a compact digital camera that can perform in just about any environment, the Canon Powershot D10 is the perfect choice. The D10 is Canon’s first waterproof and shockproof camera. Its rugged exterior casing is fully weather-sealed making the D10 waterproof down to an impressive 33 feet, shockproof from a height of four feet and freeze proof down to14 degrees Fahrenheit.

canonEven though the D10 is specifically designed to be a tough, go-anywhere style camera, inside it still offers all the qualities people have come to expect from Cannon’s Powershot lineup. The D10 features a 12.1 megapixel CCD sensor to accurately capture the detail and color of your surroundings. The 3x optical zoom (35mm-105mm) is also features image stabilizing capabilites, allowing you to capture blur-free pictures, even in low light when it is typically difficult to hold the camera steady. The camera’s posterior is home to a remarkably bright 2.5 inch LCD screen. Whether you are underwater or even in direct sunlight, the vivid LCD makes it easy to compose and review your photos. If you’ve ever used a Canon Powershot before, you will feel very comfortable operating the D10, as the menu structure remains similar to other Powershot cameras. The D10’s control buttons are also rubberized, making it easier to operate in wet conditions.

The D10 is a great option if you need a camera that can capture a perfect photo in less than perfect conditions. The Canon D10 retails for $329 and ships with a lithium-ion battery pack, wall charger, AV and USB cable, wrist strap and a Canon Software Solution CD-ROM. ◊

Jonathan Lawton has been a photographer for more than 10 years and operates his own photography business (www.jonathanlawton.com). He’s also a salesman at Hunt’s Photo and Video in Melrose, Mass. If you have questions on any photo-related topics, contact him at jlawton@wbhunt.com.

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Flip Video UltraHD

1 Sep

Flip Video UltraHD

By Jonathan Lawton

Pure Digital Technologies is a California-based company that pioneered the concept of the ultra-compact video camera. Pure Digital recently released its latest compact video camcorder called the Flip UltraHD.  The UltraHD, as the name suggests, is capable of recording in full 1280×720 high definition. It features eight gigabytes of internal flash memory, a two-inch LCD screen, and a built-in stereo microphone. Other features include HDMI output, USB rechargeable AA battery pack, a flip-out USB arm to connect the camcorder to your computer, and preloaded FlipShare software for easy video editing. What is most impressive about the Flip UltraHD is that it’s able to pack all of those features into a camcorder that is about the size of a deck of cards.

Flip_UltraHD-PhotoThe UltraHD is extremely user friendly. The menus are extremely easy to navigate and you can control every function on the camcorder with just one hand. To operate the camera, you simply need to point the camera in the direction you wish to capture your video and press the large red button to begin recording. The 8GB of built-in memory will allow you to record up to 120 minutes of HD footage. The HD video quality is quite impressive. The video files are sharp and bright. Since it records in 30 frames per second, the UltraHD renders moving subjects smoothly, creating a very natural look. The color reproduction is faithful and not over saturated like many other pocket camcorders.

Like everything else about the UltraHD, downloading your footage to your computer is very easy. Simply, flip out the built in USB connection and hook up the camcorder to you computer. The FlipShare software that comes pre-loaded on the device installs quickly and is compatible with both Macintosh and PC platforms. The software is very straight forward and allows you to edit your video clips into a seamless movie. You can also use the software to add music and credits to your videos, as well as upload to YouTube or other video sharing websites.

Its compact size, ease of use and great image quality makes the Flip UltraHD a perfect choice for people looking for a no-nonsense, go anywhere HD camcorder. The UltraHD retails for $199 and is available in two color choices: black with silver trim or white with silver trim. ◊

Jonathan Lawton has been a photographer for more than 10 years and operates his own photography business (www.jonathanlawton.com). He’s also a salesman at Hunt’s Photo and Video in Melrose, Mass. If you have questions on any photo-related topics, contact him at jlawton@wbhunt.com.
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Promaster Digital HGX Filters

3 Aug

Promaster Digital HGX Filters

lens-reviewIf you own a camera that accepts interchangeable lenses, you know just how significant your investment in additional lenses can be. An easy way to protect your investment is with the use of a screw-on UV filter sized specifically for your lens. A UV filter is optically clear and will not degrade your image, but it will protect the front element of your expensive lens from dings, scratches and fingerprints.

This past month I had the opportunity to test out a new line of photography filters from Promaster. What makes these new Digital HGX filters unique is their construction: They’re made of hardened optical glass to resist scratching, etching and chipping. They are also multi-coated, which means they will significantly reduce internal reflections that can decrease image contrast.

The feature I found most impressive about HGX series is a coating Promaster calls “Repellamax.” The coating helps repel moisture, fingerprints and dust. With the HGX filter attached to my Canon 17-40mm lens, I intentionally pressed my fingerprint onto the surface to test the coating, and with just a swipe of a microfiber cloth, the fingerprint was gone. With my other filters, it normally requires a spray or two of lens cleaner to completely remove an oily fingerprint. The Repellamax coating on the HGX filters certainly make it a lot easier to keep the front element of your lens clean.

Currently, Promaster offers the Digital HGX filter in three styles: UV, Protection and Circular Polarizer. The filters are available in sizes 52mm through 82mm.

Jonathan Lawton has been a photographer for more than 10 years and operates his own photography business (www.jonathanlawton.com). He’s also a salesman at Hunt’s Photo and Video in Melrose, Mass. If you have questions on any photo-related topics, contact him at jlawton@wbhunt.com.

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Two flash modifiers that achieve different effects

3 Jun

Two flash modifiers that achieve different effects

By Jonathan Lawton

This month I had the opportunity to review two different styles of flash modifiers. The first was designed to diffuse and soften the light output from your flash, while the second is gary-fong-lightsphere-webintended to concentrate and focus the light.

If you’ve ever taken a photo with the hot-shoe flash pointed directly at your subject you know just how unflattering and harsh that type of lighting can be. One simple way to improve your on-camera lighting is to use a flash diffuser. The Lightsphere, by Gary Fong, is a flash diffuser constructed of a flexible vinyl with an opaque snap-on lid. The Lightsphere comes in two versions: cloud or clear. The cloud version is more opaque than the clear and provides even more light diffusion. For this review, I evaluated the Lightsphere’s cloud version and could see that the Lightsphere would be very useful for portrait and event photography. It’s almost like putting a small softbox on your flash. It measures 4 1/2 inches in diameter and 4 inches tall, making the Lightsphere easy to pack into your camera bag. The Gary Fong Lightsphere is available in three sizes that will fit nearly all major manufacturers’ hot-shoe flash units.

better-beamer-photo-webAt the opposite end of the flash modifier spectrum is the Visual Echoes Better Beamer. The purpose of the Better Beamer is to extend the reach of your hot-shoe flash. This is a very popular flash accessory with nature and bird photographers. The Better Beamer allows photographers to use fill-flash outdoors, even while shooting with very long focal length lenses. It is a simple device consisting of two side braces, a Velcro strap and a Fresnel lens. I found it easy to mount the Better Beamer to the front of my Canon 580EX flash. When it’s not on the flash, the Better Beamer folds almost completely flat, making it easy to store. The Better Beamer’s Fresnel lens helps focus the flash beam pattern and will add approximately two stops of light output to your flash. The Better Beamer is made in seven sizes to fit nearly all major flash units.

If you have any questions on these two flash modifiers or need help selecting the correct unit for your flash, feel free to contact me.

Jonathan Lawton has been a photographer for more than 10 years and operates his own photography business (www.jonathanlawton.com). He’s also a salesman at Hunt’s Photo and Video in Melrose, Mass. If you have questions on any photo-related topics, contact him at jlawton@wbhunt.com.

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